'Tis the Season for ...
This masked quartet of garage bandits deftly blends surfin' 60s bass lines with holiday faves like "Let it Snow" and "Sleigh Ride" for a surreal but enjoyable Ventures-in-Santa's workshop groove. One new track, "Christmas in Las Vegas," appropriates Elvis for a frantic high-stakes trip down memory lane. The perfect album for the holiday party that serves eggnog in martini glasses.
Christmas in Memphis
Speaking of retro, this funky-lounge act reworks a Doors-era Wurlitzer and Hendrix-esque guitar riffs for giggles. The strangely addictive little album could be the lost soundtrack for a "Partridge Family" holiday special.
Maybe This Christmas
Any album that mixes Coldplay with Loreena McKennitt ought to make you shiver with fear. But this compilation is actually a breath of fresh air. Sure, Vanessa Carlton sounds like she's being shaved by a snowplow in her rendition of "Greensleeves," but the moody title track by Ron Sexsmith has the ring of an instant classic. Ben Folds' gruesome "Bizarre Christmas Incident," involving a crispy Kris Kringle trapped in a chimney, is inappropriate for the kiddies -- even though the album benefits Toys for Tots.
Bluegrass & White Snow
On this fitting follow-up to her Mountain Soul album, Loveless again cashes in on the bluegrass renaissance with a soulful, down-home homage to Appalachia. The CD finds its best moments in traditional gems such as "Beautiful Star of Bethlehem" and "Christmas Time's A Comin'," while slower tracks ("The Little Drummer Boy") tend to drag. "Santa Train" is an infectiously cheery new song co- written by Loveless. And the many stellar guest vocalists include Emmylou Harris, Ricky Skaggs and Dolly Parton.
So you've heard the title track to the point of homicidal insanity. But don't let that stop you from giving the rest of this long overdue reissue a listen. Recorded in 1970, the collection lets Feliciano's Latin guitar loose on mostly traditional tracks, (surprisingly) keeping the Spanish to a minimum. This reissue includes three previously unreleased recordings, the best being an instrumental version of "Santa Claus is Coming to Town."
Christmas is Almost Here
Yes, she's still alive. And yes, she's still making albums -- though this paltry effort proves that Carly Simon needs to stop. Only the most diehard Simon fan will dig this dreary holiday collection, which relies too heavily on untested titles and loses cohesion even on the standards. Her cover of John Lennon's "Happy Xmas (War Is Over)" conjures images of a drunken karaoke session, which makes sense considering that the CD was recorded in a hotel room. The album's only bright spot is the "duet" with Willie Nelson on his perennial "Pretty Paper," on which Simon is happily relegated to backup.
The Christmas Album
Some singers are born to sing holiday music -- and Johnny Mathis is an obvious example. With a handful of Christmas collections already under his belt, Mathis again lends his velvet vibrato to standard holiday fare in this risk-free recording. His covers of Burl Ives' "Have a Holly Jolly Christmas" and Irving Berlin's "I've Got My Love to Keep Me Warm" will make you feel like you're shopping at Pottery Barn -- proving that as long as shopping malls play Christmas music, Mathis will be collecting those royalty checks.
In a holiday music landscape overpopulated with uncool white guys, the former Gomer Pyle star effectively out-dorks them all -- which isn't a bad thing. Nabors' grandiose delivery reverberates through this collection of recordings from the late 60s and early 70s. He largely sticks to classics like "Jingle Bells," though he does break out the Harry Belafonte-esque beats on "Go Tell It on the Mountain." And who can resist the deliciously ironic (unintentionally or no) cover, which features the singer decked out in his Mr. Rogers best? The schmaltz factor is damn near toxic -- but have another slice of fruitcake and go with it.