The play's the thang Ever wish, while sitting through an interminable hour or two of theater, that you could stand up and demand your 20 dollars back? Ever wish you could tell the playwright that the point of live theater is dialogue and plot development? Well, once a year, you can at Charlotte Repertory Theatre's New Play Festival; and so I went. Settling in at a very unlikely time -- 11am on a Saturday -- I was determined that the play in question, Michael McKeever's The Dangerous Place, better be more entertaining than the sleep I could be enjoying at my apartment two blocks away. The audience was a pretty good indicator of the interest in McKeever's play -- as far as I could tell, the only ones in the room who hadn't "wrighted" a play were myself and CL theater critic Perry Tannenbaum, who nonetheless carries himself as such. The play, while not finished, was a well-told story of a Barrymore-like family of stage actors (with the "Dangerous Place" of the title being the stage itself). More entertaining, though, was the feedback portion of the evening, when audience members gave suggestions on how to tweak the play, some of which the playwright actually seemed to like. One fellow in particular wished to get his money's worth out of the breaking down of this "fourth wall," and did everything but suggest the playwright replace all the actors with trained stunt monkeys and build his sets out of Cheetos. Would it have been that hard for you to say the play sucked and saved us another half-hour? I could have been sleeping, forgodsake. -- Tim C. Davis
You got to me. . . I thought the biggest obstacles I'd face at the Neil Diamond concert were being recognized after last week's cover story and avoiding blindness from all the sequined shirts. Wrong. Turns out my problem was avoiding blushing at an oversexed, 60-year-old Neil. At the beginning of the show, Neil mentioned that he's helpless once he hears that applause and gets all "lubricated." That statement alone probably had a similar effect on a few in the audience. Later, he explained to the men in the audience how it was OK to be sensitive, and then told the women that he "didn't mean sex, but maybe give them some when you get home later tonight anyway." He wasn't done yet. During a rendition of "Girl, You'll Be A Woman Soon," Neil did the usual rocker antic of singing to a 25-year-old or so girl in the front row. However, her friend got in the act too, and soon they were caressing Neil's head. One gave the singer a peck on the cheek after the song. The other, however, slipped Neil some tongue, which Diamond then returned (no lie!). I was alternately disgusted by the Lolita scene, proud of the guy for still having moxie, curious where it would have led were 15,000 people not watching, and embarrassed. Why? Two of those 15,000 were my parents. -- Tim C. Davis