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DVD extras include 28 minutes of deleted scenes; a 3-minute behind-the-scenes featurette; and the theatrical trailer.
Movie: ***1/2
Extras: **
KINGDOM OF THE SPIDERS (1977). Like those Biblical epics of yore, here's a motion picture that can boast of literally presenting a cast of thousands. In this case, though, that number applies to the hordes of spiders seen crawling all over the place – 5,000 seems to be the accepted figure, although a crew member in one of the extra features states that the number was anywhere between 5,000 and 10,000! At any rate, arachnophobes are advised to steer clear of any TV set showing this effective horror yarn, which managed to produce a handsome return on its half-million-dollar budget during a period when most moviegoers were busy re-watching Star Wars for the umpteenth time. William Shatner, still a couple of years away from the Star Trek movie franchise that would resurrect his career, plays "Rack" Hansen, a small-town veterinarian who teams up with a big-city entomologist (Tiffany Bolling) to figure out what's killing animals in his Arizona community. It turns out that the area's spiders, affected by the pesticides that have been destroying their natural food supplies, have set their sights on larger prey – and before long, humans are finding themselves being attacked, bitten and cocooned. John "Bud" Cardos, a veteran jack-of-all-trades (actor, stuntman, production manager, you name it) who worked under Hitchcock and Peckinpah but spent most of his career involved with low-budget fantasy fare, efficiently directs this entertaining picture that was clearly inspired by Jaws (right down to the blustery mayor worried that the intrusive presence of Mother Nature will ruin the town's upcoming holiday weekend), and the script by Richard Robinson and Alan Caillou is capped by a great ending.
DVD extras include audio commentary by Cardos, producer Igo Kantor, cinematographer John Morrill and spider wrangler Jim Brockett; a 16-minute interview with Shatner; a fascinating 12-minute conversation with Brockett (during which he hauls out several types of spiders); 17 minutes of behind-the-scenes footage; and a poster gallery.
Movie: ***
Extras: ***
MOON (2009). With Ziggy Stardust for a father, Major Tom for an uncle and, presumably, the spiders from Mars for assorted in-laws, is it any wonder that Duncan Jones chose a science fiction project to mark his feature film debut? Jones, of course, is the son of rock legend David Bowie, but after Moon, it's guaranteed that he'll be recognized as a talented artist in his own right. Serving as director and coming up with the original story (Nathan Parker wrote the actual screenplay), Jones has crafted a unique sci-fi yarn that pays tribute to such works as 2001: A Space Odyssey and Silent Running while also heading off in its own giddy direction. Sam Rockwell tones down the quirks to deliver an excellent performance as Sam Bell, an employee for the futuristic corporation Lunar Enterprises. It's long been discovered that the moon can provide Earth with its energy; Sam is the man on the moon, tasked with overseeing this operation. But he's mighty lonely up there, talking to himself as much as he talks to the base's mobile computer GERTY (voiced by Kevin Spacey). Fortunately, his three years in space are nearly up, but with only weeks left before his departure back to Earth, he begins to feel poorly, a condition that in turn leads him to have an accident. Upon awakening, he senses that something's not quite right, and GERTY, for one, isn't talking. The resultant twist is an intriguing one, and it solidifies the film's initial promise as a heady piece of sci-fi cinema. The prevalent theme is one of identity, and this extends beyond the character of Sam Bell to also involve GERTY, who proves to be one of the most fascinating robots in many a, uh, moon. The tech credits are impeccable, yet Moon chiefly succeeds because of Jones' ability to take an idea that could have remained as sterile as the moonbase decor and inject it with all sorts of messy emotions. "I'm only human" may be an excuse when uttered in real life, but in Moon, it becomes a declaration of defiance.
