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Capsule reviews of recently released movies

Children of Men, Curse of the Golden Flower, Dreamgirls

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THE PAINTED VEIL Naomi Watts and Edward Norton are the leads in The Painted Veil, and the fact that they're also credited as two of the film's producers suggests that this adaptation of the 1925 Somerset Maugham novel might be little more than a vanity project squared. Instead, this tale of strangers in a strange land has been fashioned as a poignant love story, with its buried passions forcefully breaking the surface as the film rounds the bend toward its satisfying conclusion. Watts plays Kitty, a socialite who's rushed into marrying Walter (Norton), a doctor who barely raises her pulse. After the couple move to Shanghai, Kitty has an affair with a fellow foreigner (Liev Schreiber); learning about this deception, Walter drags Kitty along with him to the desolate Chinese countryside, where he's assigned to keep a cholera outbreak in check. Watts and Norton are so credible portraying spouses who grow to loathe the sight of each other that it's genuinely exciting to watch as they eventually discover the small spark that allows them to build a real marriage out of the heretofore dying embers. There's some Chinese political intrigue that rears its head every now and then, but the focus is clearly the love story. On that front, The Painted Veil will keep romantics content at least until Valentine's Day. ***

PAN'S LABYRINTH Let's make this clear from the start: Pan's Labyrinth is not one for the kiddies. Even with that inviting title, even with fairy tale trappings full of faunas and faux-Tinkerbells, even with memories of the family-friendly Jim Henson-David Bowie concoction Labyrinth, Mexican writer-director Guillermo del Toro's R-rated adventure is packed with disturbing images, political subtext and gory interludes. In short, when was the last time a fantasy flick brought to mind Schindler's List? It's as if del Toro had uncovered the darker aspects of Lewis Carroll's Alice In Wonderland adventures and found a home for them in his own fractured fairy tale. Set in 1944 Spain, the story centers on young Ofelia (Ivana Baquero), who along with her pregnant mother (Aridna Gil) has journeyed to a remote outpost to join her mom's new husband, a brutal Fascist officer (Sergi Lopez) in Franco's army who's assigned to wipe out the resistance fighters in his midst. Steering clear of her stepdad, Ofelia stumbles upon a magical world lorded over by a faun (Doug Jones). But this fantasy realm isn't a peaceful retreat from the horrors of the everyday world; rather, it's a manifestation of the fears and pains that define one's daily existence. Full of wondrous and disturbing images (The Pale Man is one of the great monsters in recent cinema), this is a rich viewing experience that demands additional viewings. ***1/2

VOLVER Perhaps no performer gets lost in translation as much as Spain's Penelope Cruz. In her American titles to date, she's proven to be a big fat zero, yet return her to Spanish-speaking fare, and she reveals herself as a warm, witty and accomplished actress. That's especially evident in Volver, the latest confection from writer-director Pedro Almodovar. So memorable as the troubled nun in Almodovar's All About My Mother, Cruz is equally up to the task here; she portrays Raimunda, a headstrong woman who has her hands full managing the other females who inhabit her orbit. This would include her teenage daughter Paula (Yohana Cobo), who just killed the stepfather who was trying to rape her; Raimunda's sister Sole (Lola Duenas), a plain-Jane counterpart who tries to keep up with her glamorous sibling's whirlwind activities; Agustina (Blanca Portillo), a family friend trying to solve a mystery involving missing parents; and, most perplexing of all, Raimunda and Sole's mother Irene (Carmen Maura), who keeps popping up to offer advice even though she's been dead for several years. Almodovar's in a playful mood here (no other living director works with splashy colors as effectively), yet there's no mistaking the seriousness with which he takes the movie's theme of empowerment through sisterhood. ***

OPENS FRIDAY, JANUARY 26:

BLOOD AND CHOCOLATE: Agnes Bruckner, Hugh Dancy.

CATCH AND RELEASE: Jennifer Garner, Kevin Smith.

EPIC MOVIE: Kal Penn, Jennifer Coolidge.

SMOKIN' ACES: Jeremy Piven, Ben Affleck.