Film » Film Clips

Capsule reviews of films playing the week of Nov. 23

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KILLER ELITE Killer Elite is basically what The Expendables 2 would look like if everyone except Jason Statham decided to bail on the project. A fussy action film that's heavy on the firepower and the testosterone but short on anything resembling complexity or wit, this stars Statham as Danny, a former assassin whose mentor (Robert De Niro) is being held captive by a Middle Eastern sheik. The wealthy ruler wants Danny to avenge the deaths of his three sons by taking out the overzealous British operatives responsible for their grisly slayings; Danny is forced to accept the assignment to save his friend's life, and he's thereafter pursued by a maverick British agent named Spike (Clive Owen). I don't know which is more risible: Owen's mustache, which would have been the envy of any 70s-era porn star, or the fact that someone as tough and charismatic as Owen could possibly be saddled with the name Spike. At any rate, anyone hoping for an intriguing game of cat-and-mouse between Statham and Owen — on the order of, say, Harrison Ford and Tommy Lee Jones in The Fugitive or De Niro and Al Pacino in Heat — will soon realize that their skirmishes, both mentally and physically, can't even match the feud between Tom and Jerry — or Punch and Judy, for that matter. As for De Niro, he has long stopped mattering as an actor, merely content to collect paychecks with the same frenzy as Pac-Man eating all those dots. Having said that, his presence here is welcome, not only for providing the picture with its most most humane moments but also by keeping him too busy to make another damn Fockers sequel. *1/2

MARTHA MARCY MAY MARLENE Make all the Mary-Kate and Ashley jokes you want, but don't dis Elizabeth Olsen. In Martha Marcy May Marlene, the younger sister of the Olsen twins delivers a breakthrough performance that will remind many of Jennifer Lawrence's excellent work last year in the similarly unsettling (though clearly superior) Winter's Bone. Olsen stars as Martha, who's long been under the thumb of a cult leader (John Hawkes, even more menacing here than in the aforementioned Bone) but finally works up the nerve to escape. She goes to stay with her estranged sister Lucy (Sarah Paulsen) and Lucy's husband Ted (Hugh Dancy), but since she's reluctant to talk about her experiences, the couple grow increasingly impatient with her odd behavior and violent outbursts. T. Sean Durkin, making his feature-film debut as both writer and director, establishes a chilling mood in the fascinating flashback scenes detailing Martha's life in the cult community, but it's the prickly turns by Olsen and Paulsen that save the family sequences, which make up the less interesting and more frustrating part of the film. The ambiguous ending will be loved by many, loathed by an equal amount; I feel there were better ways to conclude the story, but I understand that it comes with the art-house territory. ***

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