Capsule reviews of films playing the week of Aug. 17 | Film Clips | Creative Loafing Charlotte

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Capsule reviews of films playing the week of Aug. 17

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HARRY POTTER AND THE DEATHLY HALLOWS — PART 2 A series that has gotten it right since Day One has maintained its integrity and commitment to quality to the very end. Everyone has their favorite Harry Potter film, and for many viewers, this final entry will be that movie. For me, the entire series works so well as a whole, as one continuously flowing entity, that it's difficult to single one out (forced to choose, I guess I'd go with Harry Potter and the Goblet of Fire). To that end, this last chapter is no more and no less exciting than many of the past pictures, even if it does contain the climactic life-or-death match between Harry (Daniel Radcliffe) and Voldemort (Ralph Fiennes). To reach that point, we pick up where Deathly Hallows — Part 1 trailed off and continue with the quest of Harry, Ron (Rupert Grint) and Hermione (Emma Watson) to find the Horcruxes that will allow them to possibly defeat Voldemort. It's also revealed that Hogwarts is now under the control of Severus Snape (Alan Rickman), with Dementors standing guard outside the castle perimeters. Harry knows that he has to break into the school, a mission that will ultimately provide some surprising answers to the many questions still plaguing him. More than ever, Radcliffe is asked to take control of the screen as his boy wizard faces his own demons before finally facing Voldemort, and the talented thespian is up to the task, holding nothing back in an ofttimes ferocious performance. Fiennes again oozes reptilian menace, while Rickman remains a high point as he deftly handles the saga's most complex role. Beginning as a magical mystery tour for kids and ending as a mature saga about solidarity and sacrifice, the Harry Potter film franchise has spent a decade entertaining global audiences of all ages. Its run may be over, but like family-film classics from the past, this is one series that's almost certain to hold future generations equally spellbound. ***

HORRIBLE BOSSES Two-thirds of a very funny movie, Horrible Bosses takes its irresistible premise an admirable distance before pulling a Wrong Way Corrigan and heading in an alternate direction, away from true comic inspiration and toward convention and compromise. Still, there are plenty of laughs to be mined, and in the genre of ribald male-bonding flicks, it won't cause a hangover like The Hangover Part II. Even folks living in caves have seen the omnipresent trailer, which cleanly explains the situation: Three regular joes (Jason Bateman, Charlie Day and Jason Sudeikis) are sick of the abuse heaped on them by their evil employers (respectively, Kevin Spacey, Jennifer Aniston and Colin Farrell) and decide to murder them. They hire an ex-con named Motherfucker Jones (Jamie Foxx) to do their dirty work, but he informs them that he'll only serve as a consultant and that they'll have to do the actual killing. His suggestion: Emulate Alfred Hitchcock's Strangers on a Train (or, as one character amusingly notes, Danny DeVito's Throw Momma from the Train) by having each fellow bump off another's boss, thereby reducing the risk of getting caught. Despite a few clunkers, the jokes are generally tight, and the five actors, especially Spacey and Farrell, are perfect for their roles; only Aniston's slutty dentist fails to convince, less a fault of the actress than the three screenwriters who don't know how to write this character so that she makes sense. At any rate, the film works up until the point when the bosses are linked up (no fair revealing how), but instead of using this sequence to expand with the intricate plotting, the writers reveal their limitations by allowing the picture to collapse like a house of cards, serving up a perfunctory final half-hour that's no match for the bright hour that preceded it. Horrible Bosses easily earns a commendation, but a bit of overtime on the part of its creative team might have resulted in higher praise. **1/2