DIRECTED BY Rodrigo Garcia
STARS Glenn Close, Janet McTeer
There's a towering performance in Albert Nobbs, and it sure as hell doesn't belong to Glenn Close.
A labor of love for the actress, Close not only stars in the picture but also serves as co-writer and co-producer (and, lest I forget, she also co-penned the theme song, "Lay Your Head Down"). Yet in essaying the title role, a lesbian in 19th century Ireland who has dressed up as a man for 30 years in order to work as a butler in a Dublin hotel, she isn't especially convincing: Even accepting that she looks a bit like a fey, mummified Stan Laurel, viewers have to assume that everybody in Ireland suffers from poor eyesight to fall for this ruse. Couple her turn with the fact that her character is never afforded much in the way of backstory or defining traits or — heck — even a pulse, and it's hard to invest any interest in her difficult life.
Albert Nobbs would be a slog if it wasn't for Janet McTeer. Like Close, she plays a woman who's spent years passing herself off in public as a man, and she's excellent in the part, allowing us access where Close only allows indifference. Her Hubert Page is a vibrant character, full of wisdom, inner strength (and external, as she makes her living as a house painter), life experience and passion (she shares a cottage with her lover Cathleen, played by former Commitments co-star Bronagh Gallagher). Close only comes to life in her scenes opposite McTeer; the rest of the time, she unwisely fashions her character as a riddle wrapped in a mystery inside an enigma. And while that designation might have worked well for Russia (at least according to Churchill), it's not adequate for a movie purportedly about the woman behind the man.
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